Film Songs
हाइवे
Highway
 

Details
  • Mis Spell Name

  • Highway
  • Genre

  • Production House

  • Window Seat Films, Nadiadwala Grandson Entertainment, UTV Motion Pictures
  • Producer

  • -
  • Director

  • Imtiaz Ali
  • Composer

  • A. R. Rahman
  • Censor Date

  • 19/01/2014
  • Censor Year

  • 2014
  • Released date

  • 13/02/2014
  • Released Year

  • 2014

 

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Censor Board Details (Central Board of Film Certification)

GRADE: UA
  • Certificate No :

  • U oooo
  • Certificate Date :

  • 19/01/2014
  • Office :

  • Mumbai
  • Guage :

  • -
  • Length :

  • 10944 Feet 3648 Meters
  • Duration :

  • 133 Minutes
  • Reels :

  • 14
  • Color :

  • Coloured
  • Native Language :

  • Hindi
  • Dubbed Languages:

  • Another Language

 

 

Cast Details Story Songs
  • Director : Imtiaz Ali
  • Writer : Imtiaz Ali
  • Screenwriter- screenplay : Imtiaz Ali
  • Editor : Imtiaz Ali
  • Cinematography- Camera Man : Imtiaz Ali
  • Dialog Writer : Imtiaz Ali
  • Composer : A. R. Rahman
  • Actor : Randeep Hooda
  • Actress : Alia Bhatt
Veera Tripathi (Alia Bhatt) is the daughter of a rich Delhi-based business tycoon. One day before her wedding, she goes on a drive with Vinay - her fiancé whom she does not love - and is abducted from a petrol station off a highway, while Vinay sits in the car convulsed with fear. The gang of abductors start to panic when they find out that her father has links in the government. However, Mahabir Bhati (Randeep Hooda), one of the abductors, is willing to do whatever it takes to see this through. The men continuously move Veera through different cities, to avoid being tracked by police. Eventually, when the police forcefully search the truck, Veera, surprising even herself, hides. She concludes that she loves the journey and doesn't want to go back to her family and old life. As the days go by, Veera finds peace and a new-found freedom, which confuses and frustrates Mahabir. Veera becomes comfortable with her captors, to the point that she confides in Mahabir the horrors of her childhood, when she was sexually abused by her own uncle as a nine-year-old. She views the abduction as a blessing in disguise, since she finally has the chance to experience life and find herself. Slowly, she unravels Mahabir's story in bits and pieces. His father abused both, him when he was a young child, and his mother who was used as a sex slave by the rich landlords. Mahabir escaped and has never returned. Mahabir slowly lets down his guard and begins to care for Veera, and his anger fades away slowly. He tries to leave her at a police station in one of the small mountainous towns they stop in. However, Veera refuses and insists on staying with Mahabir. Together, they travel and he starts to fall in love with her. They stay in a hilltop house and Veera reveals that one of her many crazy dreams was always to have a small home in the mountains. Mahabir becomes emotional seeing the way Veera cares for him, reminding him of his mother. Both sleep peacefully that night, free from their respective haunting pasts. But the very next morning, police arrive and, during the chaos, shoot Mahabir, to which Veera reacts emotionally and strongly. It is later revealed that Mahabir is killed on the spot. She is later brought back to her parents' house, where she recovers from the emotionally draining experience while surrounded by her family members, including her fiancé. Finally she feels physically better and confronts her uncle who molested her as a child, in front of her family. She yells and breaks down as she asks her father why he warned her only about dangers posed by outsiders, while the real threat was from insiders, the people who had surrounded her since childhood. She leaves the house and goes to live in the mountains where she starts her own factory, buys a house and lives there. The film ends with Veera looking at the mountains, then the sky (remembering Mahabir). Closing her eyes, she sees her nine-year-old self playing happily on the hillside. A boy (Mahabir in childhood) joins her. She watches them play, making peace with both the man she loved and their mutual childhood forms.