एके वरसेस एके
AK vs AK
एके बनाम एके
Details
Mis Spell Name
- AK vs AK, AK Virudh AK
Genre
- Drama
Production House
- Netflix
Producer
- Anurag Kashyap
Director
- Vikramaditya Motwane
Composer
- Alokananda Dasgupta
Censor Date
- 17/12/2020
Censor Year
- 2020
Released date
- 24/12/2020
Released Year
- 2020
Censor Board Details (Central Board of Film Certification)
Certificate No :
- U/A 00 mumbai
Certificate Date :
- 17/12/2020
Office :
- Mumbai
Guage :
- -
Length :
- 9249 Feet 3083 Meters
Duration :
- 108 Minutes
Reels :
- 10
Color :
- Coloured
Native Language :
- Hindi
Dubbed Languages:
- Producer : Anurag Kashyap
- Director : Vikramaditya Motwane
- Writer : Vikramaditya Motwane
- Screenwriter- screenplay : Anurag Kashyap , Avinash Sampath , Vikramaditya Motwane
- Dialog Writer : Anurag Kashyap
- Story : Avinash Sampath
- Cinematography- Camera Man : Avinash Sampath
- Composer : Alokananda Dasgupta
- Lyricist : Kunal Anand Padagle , Rajeshwari Dasgupta
- Actor : Anil Kapoor , Anurag Kashyap
The film starts from the camera of an aspiring filmmaker, Yogita, who is filming Anurag Kashyap for a documentary. Kashyap and Anil Kapoor are interviewed by Sucharita Tyagi for a MAMI event. After an audience member asks if the director or the actor is more important, they start arguing about the question and insulting each other's careers, culminating in Kashyap throwing a glass of water in Kapoor's face. This becomes a major scandal for Kashyap, with other film personalities cutting ties with him and backing out of his projects. As he sits in his bedroom enraged, Yogita gives him an idea., Later, on Christmas Eve and Kapoor's birthday, Kashyap visits his set along with Yogita and pitches him a new story about a mad director who kidnaps the daughter of an aging actor. Kapoor is initially uninterested until he realises that his daughter, Sonam, has actually been abducted by Kashyap, who wants to capture his real reactions during his search. Kashyap tells him that he has ten hours (until sunrise the next day) to find her and sets four rules: he can't get anyone else involved or call the police, all phone calls must be on speakerphone, and Yogita's camera must always stay on., Kapoor first tries going to the police, but Kashyap and Yogita catch up and convince them it is just a rehearsal for their film. Kapoor is still somewhat unconvinced that Sonam was really abducted, so Kashyap shows a live feed of her being held by a masked man with a knife. After talking to his son Harshvardhan, Kapoor learns from her driver that she was last seen at a hotel. He bribes the manager there with an endorsement to see the CCTV footage and spots the getaway driver's face; however, his search on the streets of Mumbai returns little success. Kapoor goes home and stealthily texts Harshvardhan the truth, but his confused reaction alerts Kashyap, who confronts Kapoor upstairs. While they fight, the masked man saves Sonam's finger, so Kapoor relents. Ultimately, someone directs him to a Christmas celebration, where Kapoor finds the driver, Javed, through the viewfinder. Kapoor chases him through and around Mumbai Central before a car hits him. Bloodied, Kapoor breaks down in front of the camera, regretting his absence as a father and begging Yogita for any information. Kashyap, having slowed down due to his asthma, finally arrives to taunt Kapoor and make him continue. At another Christmas celebration, Kapoor has to dance for the crowd until someone tells him where Javed lives, where they finally capture him., Javed directs them to where he was told to take Sonam; However, Kashyap insists that Javed is lying. They end up arriving at Kashyap's house, where another videocall shows Sonam is in his DVD room. When they get in, Sonam is gone and Kashyap's parents have also been abducted. After a struggle between the trio, Kashyap reveals the original site and they go there. A mysterious masked man with another camera shows up, but they don't find anyone else as the sun rises and time runs out. Although Kashyap repeatedly claims that these events weren't in his script, Kapoor discovers a copy and forces him to read it, which states that Kashyap intentionally diverted him, then planned to take a gun from his bag and force Kapoor to choose between killing himself or Kashyap with it. Kapoor interrogates an increasingly agitated Kashyap with the aforementioned gun and accidentally shoots him., The perspective shifts to the third person as Kapoor and Yogita drives Kashyap to the hospital. Sonam and Kashyap's parents are later found in the basement of Kashyap's home, with Kashyap being charged for their kidnapping. As he lays in his hospital bed, Kapoor reveals that he had actually planned everything: angered at Kashyap's comments, he convinced Yogita after the panel show to help frame Kashyap in exchange for a break into the industry and conspired alongside his family to make most of the dramatic turns happen, with Harshvardhan having purposely hit him with the car. Months later, the resulting film nets some Filmfare Awards for Yogita (as director) and Kapoor, while a deranged Kashyap plots vengeance from a mental asylum.
- Track 1 : Khalaas ( खलासी )
- Track 2 : Duniya Badi Gol ( दुनिया बड़ी गोल )
- Track 3 : Ghum ( घूम )
- Track 4 : Shivali ( शिवाली )